Practical Ear Training For Guitar Players - Masterclass Session #10

Practical Ear Training For Guitar Players - Masterclass Session #10

David Wallimann

7 лет назад

13,894 Просмотров

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@michaelj.anderson1116
@michaelj.anderson1116 - 18.08.2018 23:45

Awesome! Love this. Thank you.

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@KS-hl6zo
@KS-hl6zo - 25.02.2017 16:30

How can I train myself to be you?

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@groov3z
@groov3z - 15.02.2017 00:40

Do what the man says people. 5 mins a day.

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@RockFPV
@RockFPV - 13.02.2017 19:37

Thanks for sharing David! Great Lesson as always.

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@ultrafloss492
@ultrafloss492 - 13.02.2017 05:14

Really nice lesson!

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@dingoswamphead
@dingoswamphead - 13.02.2017 04:42

Thanks David. This fits in nicely with where I am going with the Guitar Infusion course. I have the modes pretty well worked out but this is showing me how to hear them in a musical context. I see how jazz pros have got this skills down to rapid automatic. I know that the better I get at this, the better a musician I will be, no matter what my knowledge or skill level.

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@johnostiguy3704
@johnostiguy3704 - 13.02.2017 00:29

thanks for fixing the video I appreciate it

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@vincej151
@vincej151 - 12.02.2017 21:45

David Fabulous Master Class Course. I have suddenly realised what I have been doing wrong for the last 100 years. I am a software programmer and play guitar like a computer. I have lived with the fallacy that if I would learn more scales, more jazz chords, more licks, that would make me a good guitarist. It does not. My 18 year old son, plays from the heart. He hears a tune and plays it. Ok ... he played classical music in a school orchestra for 6 years, which probably helps. But still, unlike me he cares nothing for more theory. He just plays with his ears and his heart and it sounds great.

Question: Am I correct in thinking that the modes are not straight jackets. I mean, when improvising a person can play all the modes within the same song, so long as it fits. Perhaps only observing the minor or major key. So in reality, if I am correct, "the modes" are just labels we give to the chromatic scale.

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