Комментарии:
Hey Max, great video! I recently came across your channel and enjoy your style of filming and explaining things. Also appreciate the effort in adding solid visual examples to illustrate what you're talking about throughout the whole thing. Keep up the awesome content!
ОтветитьThat man that’s cleared things up for me it’s a confusing work flow
ОтветитьAwesome! May I ask what you pull down on DaVinci? Is it Gamma? To bring down back on post. Thank you
ОтветитьEasily my top 3 channels for the Sony camera's, great stuff man, keep making!
ОтветитьGreat video🙌🏾
ОтветитьIs 200EI always the way to go if you want to overexpose 2 stops?
ОтветитьMax! Thank you for this explanation! This definitely helps! I've recently shot a short film in Cine EL and had this same issue in my shadows.
ОтветитьThis apply only if u never use noise reduction in resolve 😂😂😂😂
Ответитьdo u recommend to stay at 800 iso with nd filter ?
ОтветитьHey Max, excelente video! One question, do you use this zebra setting always ?
ОтветитьI greatly appreciate your attention to detail as well as a crystal clear but brief style. Thank you and well done.
ОтветитьYour videos are detailed but not too long. I just bought an FX3 and unfortunetaly I noticed CMOS smearing in low light shots. I use 800 and 12800 ISO to avoid this CMOS smearing but several other ISO values show the issue. In low lit situations do you get CMOS smearing image issues wth the FX6? And yes, often times we can add light to the shot.... but sometimes we can't add light to the scene.
ОтветитьI wish you would show which LUT you are applying. Does most of this info apple to the SOny FS7Mark 11 ?
ОтветитьHello Max, great video, thanks :).
Please help me understand, why did you set your Zebra 2 to 77% for 'white' when Sony recommends 61% for SLog3?
Do you correct with your exposure with the grey card and white card before or after increasing exposure by two stops? Also is there any way to preview the Rec709 LUT on the FX6 without recoding it baked in without using a second monitor? Cheers in advance!
ОтветитьVery informative Videos man. Love this. Thank you
ОтветитьThanks man !
ОтветитьThe detail is the darks areas are immaculate please do a colour correction video 🙏
ОтветитьHow do you correct the over exposed image in post in DR? Do you mainly use the offset to correct it or is there more to do?
ОтветитьHey Max, this video is visually very nice, as always. One question, there's a caption in your video that says that DaVinci recognizes CineEI automatically and corrects exposure accordingly. Can you tell me how this works? When I use a CST node for EI200 footage to get standard footage (Rec.709), I get it two stops overexposed. Or is the workflow different than CST? Thanks in advance! Tom
ОтветитьThanks for the great tutorial! What are your LUT settings. Is Mlut enabled for stream, hdmi or internal rec?
ОтветитьHi
Thanks for your support!
I have a question: I've been told that Slog3 lut was the best way to shoot. Why do you then use rec709 lut? And why, when I'm using Slog3, I cannot see any difference on my fx3 monitor when I turn Lut on and Off?
Is it the same for images where we want to protect/pull pack the highlights? So brighter scenes you shoot above the Native/Base ISO and then adjust Aperture and lighting to bring it back to exposed in monitor. Then edit get an under exposed image and brighten it up?
Thanks so much for your videos so informative and clear!
This is hands down the most clear explanation for CineEI available!
ОтветитьRecently got a Sony FX3 and was looking for help with cine ei. This video was so simple and informative, thank you!
ОтветитьThanks for the info Max! I am having a weird issue with my FX6, I'm using CINE EI, SLOG3, but if I change the exposure, nothing happens. The brightness remains the same even if I switch to 3200 EI, 6400 EI, or basically any EI value (this happens for both Base Values 800 and 12800). Also, even if I apply the Lut 709 to see what I am shooting, I still see the washed out image from SLOG3. Could you please help me with this? Thanks!!
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