ARRI Tech Talk: A DP's Analysis of the new REVEAL Color Science (subtitles EN,ES,FR,PT,한국어,日本語)

Excuse me Art Adams and Arri, but in cinema we DONT need a human-like color reproduction, we need enchanced harmonized color reproduction which both Kodak film stock and old Alexa did.
With this new colors you put your new Alexa close to the same category as Red or Blackmagic or Sony in this aspect.

Thanks! Very interesting

@Art Adams Greetings Mr. Adams, can you clarify if the previous Arri camera color science rolled off saturation or compressed it non-linearly? I saw your older video on provideocoalition about the "film look and why there's two of them" and you stated "As exposure increased, colors got brighter but they didn’t get more saturated". Many thanks Sir!

wooow!!!!👏👏👏

Art is the GOAT!

Great video and guidance on using the new cameras, thanks!

Excellent

I always felt that Ryan Johnson missed it out by shooting Digital back then. The Reds on Star Wars shot on film are quite different. And that changes everything.

A lot of this is just looking at 2 different LUTS? Who ever used the arri K1S1 logc to 709 LUT anyway? How may of these Reveal characteristics are coming from the debayer to awg4 logc4 vs the Reveal ODT's? In any case, you can take the old Alev3 sensor and via a custom transform / LUT make it behave like Reveal if you wished, eg getting those tail light reds to go orange at hi sat is no problem etc etc.

I would to see Arri implement a standard for HDR viewing across viewing platforms. Right know there is no way to truly make sure that the finished product will look the same across platforms. Part of that are the absolute values of HDR across screens with different capabilities. But we cannot rely on TV and monitor manufacturers to enforce that.

Any paper on this?