Комментарии:
luv tha whistle!
Ответитьthank you! very clear and simple; desmystified a lot of things I saw in other videos; honest and insightful explanation!!
ОтветитьYou always point out very interesting things!!!! Great video lesson!!!🙏🏾🙏🏾🙏🏾
ОтветитьThis is gold, man! Lol
ОтветитьAmazimg lesson
ОтветитьGreat explanations! now I can full-time understand tritone subs! Thank you very much.
ОтветитьMind blown. I'm SO using these all over the frikkin place now.
Ответить123 idiots 😉
Ответитьlet me ask you one thing... .if my chord is G7(b9) .. the tritone move to D and Ab instead B and F ??? I was reading a book n say the tritone of the chord G7 are the same as B° so it confuse me... Can you help me please?
ОтветитьThanks very much for this video. In the last section, you said you were playing a progression that goes between F & C, but then you start talking about G and its tritone sub. I found this a bit confusing. Are you in the key of C, and first adding the dominant V7 (G7) into the two-chord progression, then using a tritone sub (Db7) for the dominant (G7)? By the way, another very useful tip I have come across is to think of tritone subs as part of a ii-V7-I where the the tritone sub is on the V7 and simply walks chromatically down from the ii to the I. In other words, Dm7 G7 Cmaj7 would become Dm7 Db7 Cmaj7. I find it easier to figure out the tritone this way: If I see the ii going to a V7, I go a half-step down from the ii and resolve to the I another half-step down.
ОтветитьThank you for this. even though I know about this for a while now, I really like how you presented it compared to the the other "Definitive Tritone Guide" from some other loud you tubers. This is what I point students to listen and watch. My experience is when they see this video they get it right away since no one is "shouting" the concepts.
ОтветитьCame back to this video 3 years later and took away a whole different lesson - thank you!
ОтветитьAwesome explanation. Loved the part where the kept the chord but played the tritone scale over it. How does that work? What scale do I use? D flat major scale? By the way, whistling over this and then changing the melody blew my mind
ОтветитьI really enjoyed this and your other videos. Superb explanation of tritone substitutions. I am a tenor sax player and find pianists and guitarists explain music theory in a different light when compared to sax players. You are a great teacher; explaining the concepts clearly, slowly and concisely. I can tell you WANT musicians to improve themselves! The sax is a melody instrument but still music theory helps me every day in the practice shed!
ОтветитьYou live long ❤️
ОтветитьWell done good job
ОтветитьThanks a lot
ОтветитьThank you Sir.
ОтветитьUse computer to copy the keys you're pressing
Ответитьa video of great value!
Ответить👏
ОтветитьLove you much
ОтветитьPlease make more tutorial about jazz Bebop Piano...thanks
ОтветитьI have Leant lots thank you for the lessons
ОтветитьHi, the name being "Tritone" (3 tones), why don't we simply define it with 3 FULL TONES interval, instead of 6 halftones??
ОтветитьI loved the sound of soloing in Db over G 👍
ОтветитьA completely practical and incredibly well taught explanation free of needless jargon or breakneck speed. Many thanks.
ОтветитьThank you for your explanation, it was wonderful and make me understand a lot about tritone substitutions and it usage. Thank you.
ОтветитьYour explanations are so clear. Thanks.
ОтветитьIt is basically a Neapolitan and has the same feel, at least in terms of classical, tonal harmony.
Thank you very much for your explanation and sharing.
So a tritone sub simply is the approaching of any chord from above by a semitone?? From Db down to C..
Thnx bro❤
This was extremely helpful I knew there was a way to simplify these complicated cords 3rd and the 7th!
ОтветитьWhy are there an Eb and a G in Db7? Isn’t that Db F Ab B?
ОтветитьThis initial approach you showed with the dominant shell voicing makes so much sense now. I always thought when analyzing old blues pieces that artists would just use dominant shell voicings descending chromatically , but in fact they are just playing the 1-4-5 blues progression with the Triton sub.
Ответитьyour whistling is pretty decent, do you use it as a tool when composing?
ОтветитьYou make it so simple to understand. Thank you! ❤
ОтветитьLuv how this dude teaches. 1 of YTs best
ОтветитьBest explanation I’ve seen, thanks !
ОтветитьIs it correct to say that a tritone sub is just replacing the dominant chord with a chord that is half step up from the target chord?
ОтветитьThanks! I've never understood this concept until now. Great explanation.
ОтветитьGreat explanation, thanks
ОтветитьYou WAY overcomplicated this
Ответитьi dask
ОтветитьExcellent Class...Thank you Sir...
ОтветитьAt last someone who explains! Thank youuu
ОтветитьWere you appreciating on d flat mixolydian or major?
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