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Incredible tips and professional tips
ОтветитьAmazing content!
ОтветитьWhat would be the new best camera for on-set supervisors now? The pocket 6k pro?
Ответитьgreat videos, .
i need help on camera selection:
Ursa mini 4.6 1gen
BMPCC 4/or 6k
Sony FX-30 vfx
im gonna use it mostly indoor and for stopmotion/vfx/greenscreen work.
im litterly lost, i know all 3 good but i know nothing about Vfx, i see the new sont fx30 is 14bit is that a better option post than the 12bit from the BMPCC 4k -6k? and the fx dont have internal raw?
thanks a lot i learned sooooo many things
Ответить"The Art Department will gladly help you.... if you are a nice person..." 😆😆
Ответитьcan you turn on the subtitles please?
ОтветитьSo basically you need a million dollars to start off as a set manager.
ОтветитьDo sups have to get everything ? Like lights, camera, and in these 7-10 luggages 😱😱. Dont the production provide these ?
ОтветитьI'm currently looking at capturing HDR's and debating between filming with DSLR, 360 camera (theta Z1) or chrome gazing ball. I'm leaning more towards the chrome ball but shooting it with the same cine camera on set (I'm directing the project)
Is there any benefits of using the same camera and angle that I am going to use as backplate (same colour science, lens, etc), or should I just stick with the 360 camera?
money
ОтветитьDo you still think a 5D SR is a good investment now? I'm considering picking up a second hand one for both on set supervision as well as photogrammetry. I do love canon and tend to feel disappointed with Sony's. I was wondering if you'd recommend anything else newer?
ОтветитьBoth these videos are really helpful, I'm looking for the half chrome half matte ball, but can't find them. Could you let me know where I could get them from.
ОтветитьI can't even explain how much value i gained from this video, I'm applying for a VFX Production Assistant job and wanted to brush up on my knoweldge in this area and i feel like i just learnt double what i was already aware of haha, awesome video Hugo, Cheers
ОтветитьCongratulations! You are a great professional and your tutorials are being very helpful to generations of young (and not so young) vfx artists all over the world including myself.
Muchas gracias y que la fortuna te acompañe!!!
On your use of Canon cameras. As a VFX Supervisor of 20+ years I refuse to use CANON as I once complained about dead pixels and a banding problem on a camera and their response was "It is difficult for us to know what to do for you not knowing exactly what your expectations are regarding digital photography." They replied that you had to zoom in 200% to see the issues so what was my problem. The camera was deemed to be operating to specification. They changed the sensor anyway and the new sensor had ten times the dead pixels and the same banding problem. This was the head office for Australia and when I asked them to check my (visual) analysis they said they didn't have monitors to view them. They have obviously moved on since then but they lost an early adopter and a 20 year user of Canon film cameras.
ОтветитьI have worked 20+ years in VFX onset and off plus 10 in Art Dept and this is an almost perfect summation of the process ... excellent tutorial. My only comment would be to add Standby props to the list of must get along with onset. I know you mentioned Art Dept but this is the onset face.
ОтветитьI only recently discovered this channel and the information is very valuable for any student of VFX. When I joined ILM, we had to learn a lot of things on the job. The training I got at ILM was very good, but I wished I could have gone on set more often to see the shot acquisition process. Thank you for putting up this information!
ОтветитьHi Hugo! I try do link my amazon prime with your twitch with no luck. I”m in canada and my amazon prime is from canada. So what i’m doing wrong!?
ОтветитьMost of the stuff you are talking about is meant for amateurs. Production pays for everything making yourself buy all of that is a complete waste of money. Where do you work? Definitely not familiar with union rules and equipment. Supers on set barely come with any of that. Its all been taking care of already. Do you work in North America?
ОтветитьNice topics
ОтветитьNice topics
ОтветитьThank you so much for this. Got my first VFX Supervisor gig and this has made me infinitely more prepared.
ОтветитьLegends!!!! i dont speak english
Ответитьcheck edelkrone tripods they are awesome
ОтветитьThis channel is amazing.
ОтветитьHugo very nice workshop, need to ask something, using RICHO THETA can i use to create hdri, since that captures in brackets. if not then what can i use apart from ninja rig, i have been using that but its really bulky & takes lot of time to capture. i need to replace car which means i need moving reflections how can capture that since its car replacement. i was thinking to use richo theta. i saw go pro also which records raw. and i know RICHO THETA only produce JPEGs. i saw one more which is panono shop. let me know whats your opinion on that.
ОтветитьThis is the worst job on earth Jesus.
Ответитьvery nice!
ОтветитьInstantly subscribed as this is video was so helpful, I'm a vfx student at uni
Ответитьthe vfx set supervisor is as important as the dp and the director but they are often the ones who have to beg or hustle for time...and money.
ОтветитьI should rob a bank to be a VFX supervisor! Hugo, some of us are poorer! :))
ОтветитьHey Hugo!! Helpful tips! and really nice work!
ОтветитьSo when will I be able to purchase a Hugo's Desk shirt? ;) That would be awesome
ОтветитьHey BenQ, we just bought a BenQ 27" 4K monitor at least partly based on Hugo's sponsorship! Keep supporting him!
ОтветитьVery useful info, thanks so much!
ОтветитьVery insightful
ОтветитьExcellent!
ОтветитьAmaaaazing content! Thank you so much Hugo! I've started giving some small contribution on Patreon, and hopefully in a near future I'll be able to contribute more! :D
Cheers from Brazil!
BRILLIANT. Out of all of the VFX training out there.. which is TONS... none of it ever talks about onset VFX supervision. I believe this should be a series! Thanks Hugo!
ОтветитьThanks for the great talk Hugo!
What are your thoughts on taking more than 4 fotos (eg not 90° increments, but 45° increments)? Some of the 8mm lenses that i came across have really problematic areas near the edges eg soft spots, crazy aberation etc.