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Said it once and I’ll say it again - your explanations for sound design are impeccable. Chapeau 🔥
ОтветитьI bought the course on the week of release but couldn't start straight away for various reasons. I couldn't log back in to start the course. I have emailed a couple of times but have never received any support by way of a reply?
ОтветитьSorry to go off-topic but what's your Live theme? It's much gentler on the eyes than the default ones, and it doesn't seem to be possible to achieve by tweaking the appearance settings. I've had a look on other videos of yours because I assumed it would be a commonly asked question but can't find anything. The closest I can get in Live 11 is setting the Colour Hue option to about 33º
ОтветитьSee if you can physical model some violin family strings, though! Gattobus' "The Wind Forest" cover is a beautiful example of this.
ОтветитьHappy that this synthesis model is now more popular and accessible, even if it is not new. I participated in a workshop on CORDIS-GENESIS physical models, with Claude Cadoz in 1999.
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Ответитьdude i freakin love Chromaphone, it is the jewel in my collection, such an amazing tool for organic sound design, not only that, i often use it for sampling and drop the samples on some granular synths with amazing results for soundscapes and pads
ОтветитьI'd call this kitsch.
Ответитьwhat about woodwinds / blown instruments? i only heard kinda plucky sounds here...
ОтветитьKaivo - that is all.
ОтветитьAnyone know free alternatives (that would be similar enough) ??? Or if any of these are free?
ОтветитьPhysical Modeling synths have been around for a while. I gave a Yamaha EX5R and a Korg Kronos, both of which have various physical modeling engines. It has been used successfully also on pianos, with PianoTeq and the Roland V-Piano and Fantom. The Waldorf Quantum also has a plucked string engine, among others. Physical modeling seems to work well for plucked strings, tuned percussion (marimba, vibes), woodwinds and horns. It works less well for strings, leads and pads. Overall, I'd say that it's very useful and may get more powerful in future, but it's not the ultmate synthesis solution, if such a thing even exists. It's great that there are VSTs that let you play with this relatiively inexpensively and easily now.
Ответитьi this corpus is really interesting in ableton too since its an effect you can use anything as the source. ive been using it to get cool drum sounds
ОтветитьBalls just signed up for the course before I saw the 30 off code in this vid. Oh well I love your vids you deserve the money
ОтветитьLogic Pro X Sculpture: interface is ancient but can go fairly deep.
ОтветитьInfected Mushroom is working along Polyverse music on a killer synth that I'm pretty sure will be something else on the market as their usual tools they've released so far on Polyverse
ОтветитьPhysical modelling synthesis principles have been around since the beginning of digital synthesis, and a number of PM hardware synths from the 90’s functioned comparably (or even better in some cases) to the likes of these plugins.
So it’s a bit of a stretch stating/click baiting they will “change everything”.
Granted though, with the adage of MPE and current processing power, this area of synthesis is being used in progressive ways, particularly for live playing. Haken Audio’s Eagan Matrix probably being a prime demonstration at the moment.
I love physical modelling, Plasmonic is probably the best one I've used yet, either that or the plugs that AAS developed or co-developed.
Ответитьporter!
Ответитьthe free surge xt softsynth has the twist engine in it which has modelling synthesis (by mutable instruments)
Ответитьi don't have a lot of dedicated physical modelling synths yet but i like to transform any sound into a physical modelling-one by just applying keytracked rift feedback lite or polyverse supermodal to a signal that already plays the same melody
ОтветитьI know only the A.L.11 ASS Instruments so now I hope to see what someone know about this inhouse ASS vst and think about it. 😎 cool you dive into this....
Im interest in conparison to the velocity 128×128 velocity midiprotocol backdoor CL15 Synth step expression capabilitys and how this could be implemented via midiprotocol, can it be recorded in Live 11 etc..is MAX a helping option...
The CL 15 played by a good artist sounds so natural now ...
Physical modelling is awesome, but I've actually found Chromaphone to be rather tame. The physical modelling synth I love using for those really wacky sounds is Kaivo by Madrona Labs.
ОтветитьI used the demo for Chromophone 3 for its full period last year and I loved it. The only downside I know of that you haven't mentioned here is that this type of synthesis requires quite a bit more processing power than something like Serum. I found that many of the presets would devour my cpu. Though it is true, as you do mention, that those presets are insanely beefed up to show the product off.
I also use Prism in Reaktor, and it's not nearly as good but it still has the quality that I like most about this type of synth, which is playability.
I can plug my keyboard into these instruments and just enjoy playing them for hours because of their responsiveness. I will say that if you are trying to plug typical synth riffs, sequenced-by-mouse, you probably aren't going to love what you get as much as if you make subtle layers of notes. To me, these instruments are inherently percussive. Many have options for "bowing" or "air" exciters, but these still need some improvement, IMO.
Anyway just throwing my two cents at the wall so I can watch it jangle around on the floor afterwards.
Beside those synths... How did you get abelton to look like that!?
ОтветитьTo my ears, these physical modeling patches trying to emulate real instruments aren't particularly interesting. But imagine what could be done to create acoustically and sonically believable "physical" sounding electronic instruments that feel both organic, alien and mechanical at the same time 🤑
ОтветитьSounds great, man! Thank u for the vid. Much love
ОтветитьYo, which synth do you think is better, Chromaphone or imagine?
ОтветитьLoved this tutorial, thanks SynthHacker
ОтветитьAre there any plugins that can be put into an effects chain to augment a synth patch with physical modelling?
Ответитьdid you try Tomofon?
ОтветитьYou're spoiling the sauce!!! ;)
ОтветитьThanks for sharing if you are in Ableton all you need is Collision. Personally, I do not think they are the future since they have a sound that somewhat sounds out of place in a track, not quite acoustic and not quite synthesised. I think AI sound generation is the future instead. You can get some cool drums sounds and percussive elements with Physical Modelling too.
Ответитьwow those stock sounds - really sound amazing . Thanks for sharing Tom!
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