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How a 12 FR looks fast in 24 FR? can anyone please explain clearly with example? 12 fps in 24 fps time line, gives slow effect right. The frames get repeated.
Ответитьgreat video
ОтветитьCORRECTION: In Brazil (South America) we use NTSC.
ОтветитьGreat explanation and examples., thanks!
ОтветитьI am kind of dumb with technology but I will give it a try as I would like to understand. So from my perspective, the capture fps defines how many images the camera able to capture in a second right? that means if my camera is 12 fps, it can capture 12 images in a second??? so the higher the fps is, the more image you are able to capture which results in many images in a specific intervals???
and the playback frame is just a speed controller ? if my captured video is 100 fps and the playback rate is 24fps, then it will results in a slow motion since 24 images is presented per second??? and I have more than that???
please help to correct me if I am wrong thanks
Very concise and well done, thank you!
ОтветитьThe problem with high FPS video is.....the braindead, brainwashed dinosaurs who want everything to remain as it is - a blurry, unrealistic mess. Thankfully, just as technology progresses, these ever dwindling dinosaurs will eventually become extinct. High FPS - welcome to the future.
ОтветитьExcellent video i learned so much but quick question how do i get the Wong War-Wai step printing effect in a digital camera
ОтветитьThanks! learned a lot
ОтветитьI must confess I always prefer to watch TV over movies and even over movies broadcast on TV just because of the higher frame rates TV usually use, movies look fake, I can't stand low frame rate, it's the thing I hate the most in cinema
ОтветитьNo mention of the huge role shutter speed plays?
ОтветитьVery strange map of Russia
ОтветитьIts not the shutter speed that make this effect on the case of Wong KAR-WAY's films ?
ОтветитьAnd... What about the other countries which you didn't mark as NTSC and didn't mark as PAL? I mean those numerous countries to the East from Europe
ОтветитьI think you're getting framerate and shutter speed mixed up bro.
If you're shooting in 24fps then your shutter speed should be set to 1/48 (or, most likely, 1/50 because that's way more common for cameras that don't have 1/48). This is a very tried and true rule of thumb for any framerate you shoot at. Whatever your framerate, your shutterspeed should be double that -or as close to double as possible, rounding UP, never rounding down. If you're shooting at 60fps, your shutterspeed should be double that, which is 1/120. If you're shooting at 48fps, your shutterspeed should be double that which is 1/96 (which is pretty rare on most low-medium end cameras, so you'd use 1/100, which is very common).
But to hear tech and spec-sheet hounds speak, they need 4K120 and 240 on their mirrorless cameras or else it's not worth buying. Because it's never about an aesthetic choice, it's a measuring contest
ОтветитьAccording to Christopher Doyle, the "8fps" choice was not made for esthetic reasons.... They didn't have enough lights..., so the only way to shoot was the slow the heck down. Of course, being great artists that they are, their 8fps solution not only addressed the technical issue, but it also added this extra layer to their story telling.
Ответитьbut why you didnt talk about the shutter speed?
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