How The Pros Use EQ - How To EQ All Instruments and Your Mixes

How The Pros Use EQ - How To EQ All Instruments and Your Mixes

Rick Beato

7 лет назад

763,499 Просмотров

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Комментарии:

Kevin Warner
Kevin Warner - 30.09.2023 22:46

Very informative and awesome. I had to hit the subscribe button!

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Mobit Diraine Akumcha
Mobit Diraine Akumcha - 09.08.2023 18:26

You did not talk about wind instruments

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GP
GP - 04.08.2023 22:44

My best experiences are with the SSL analog & GML 8200 5 band. You can get so much headroom.

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gopal david
gopal david - 03.08.2023 11:46

I am not setisfy by your lacture......

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Pablo Romero
Pablo Romero - 11.07.2023 21:26

finally <3

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Joe Dolan
Joe Dolan - 30.06.2023 07:29

I wonder if it's difficult to make hard and fast rules, if only he'd clue us in

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Cj
Cj - 10.06.2023 21:53

So (he/you) say you flip the phase on the toms... so you don't flip them back? interesting.. Same on the snare bottom?

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J.J. Grob
J.J. Grob - 24.05.2023 07:42

"you gotta have the right bottom end" sage advice from Rick

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Brian Bauer
Brian Bauer - 12.05.2023 11:06

If your using mostly digital eqs like the q10 be careful with boosting you can easily bring unwanted frequencies in. Q and frequency are your friends.

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Sound Allowed
Sound Allowed - 03.05.2023 16:41

Good generic run down of the topic.

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rickhorvath
rickhorvath - 24.04.2023 03:44

I’m recently doing a hybrid kit: real hihat and snare, the rest are pads. A Tom and a kick will always sound the same so why bother micing them; right! In a small studio situation like mine this is a great approach.

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Cajun Cracker Ranch
Cajun Cracker Ranch - 20.04.2023 03:45

Thank you 🙏 Rick! You Rock!

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callen clarke
callen clarke - 17.04.2023 05:53

Rick, you are awesome.

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Richard Casey
Richard Casey - 30.03.2023 03:15

It would be fantastic to have a video like this for classical music, especially symphonic

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Ray S
Ray S - 20.03.2023 11:09

24dB is the biggest cut and boost of any digital EQ you can think of. apQualizr will do 40dB. I love apQualizr (apQualizr2 is the current version). It's damn near invincible. Put on as many EQ points as you want, put 'em wherever you want, make them as wide or as thin as you want, make the slopes as steep as you want, special kinds of pass filters, harmonic filters, got a built-in analyzer, and that's not to mention all the modulation features it has. Love that thing!

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Bulletsmichael
Bulletsmichael - 12.03.2023 00:12

Thank you Rick!

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bill Smith
bill Smith - 24.02.2023 21:30

What about singing?

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Oliver Michael Pisk
Oliver Michael Pisk - 23.02.2023 22:22

For punch I keep hearing conflicting advice

Some people say go for a scooped mids sound

Others say boost the low mids

Others say boost the high mids.

Very confusing. Your video seems to suggest boosting low , low mid , mid mid and high mid and cutting high treble .

So sadly I’m more confused now.

I play a fender jazz 4 string in a blues rock band. I have a Genz Benz shuttle 9.2 amp and 2 x HD112 Bergantno cabs. At the moment I’m tending to boost the bass a little bit, the high mids and cutting the low mids and the treble . Seems to do a decent job. But still find myself forever tweaking. On the amp there is also a pre amp gain knob and pre amp volume knob and have been playing with those too. Ultimately I’d like to get something close to a John Entwistle sound

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Steven Rainbow
Steven Rainbow - 17.02.2023 17:22

Watched this twice. Second time with my note book 👍

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