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Hi, thanks for the information. Would you know how to configure the sony a7 III so that the color is as compatible as the sony a7s3 configured on the pp8, gamut: slog3, color mode: s-gamut3.cine. white balance: 4000k. That is, I need to film with these two cameras and for the color to be as similar as possible. It happens to me that the a7 III is leaving me with a pink tone that dyes the entire image, while the a7s3 reflects real colors much better.
ОтветитьThanks for your video
Why is every tuto/forum i go everyone settings detail to -2 or -7? i'm getting confused when I get more info about wide gammut videography lol
try PP off and Neutral
ОтветитьSo thankful for this video!
Ответить7siii picture profile settings
Ответитьdo you have a grading tutorial for the slog footage?
ОтветитьHow about zv e10? Can i adjust on same setting?
ОтветитьHello, tell me, please, where can I download LUT for SLOG-2 according to your settings? I would be grateful for help!
Ответитьwhat are the standard isos for HLG 3? I heard that its 800 & 4000 for S-Log2. Found nothing yet
ОтветитьThank you. Huge help for a shoot tomm. TY again!
ОтветитьSo, i have copied all of these picture profile settings to a tee, but i seem to be having trouble when it comes to the actual quality of the videos themselves. It alwas seems like when i finish editing the quality of the video has dropped by at least half and is no longer a crisp looking video. Even when i am editing it looks worse in quality than i feel like it should. Im not sure what i could be missing but any advice would be greatly appreciated! Love the videos, thank you for the amazing content and information!
Ответитьthank you so much
Ответитьwent over most of your videos! but where is the video of how to Expose HLG3 and S-Log 2?? we need it asap!!!!
Ответитьthanks so much for this easy to follow along tutorial. really helped
ОтветитьWhy HLG3 over HLG2? I’ve noticed HLG3 has always had more noise than HLG2 in the shadows.
Ответитьdo you use da vinci resolve for color grading? if so, what's your color space transform for these?
ОтветитьHey there! thanks for all your resources! Can you explain in detail why you don't shoot slog3 and prefer slog2?? Doesn't slog3 have more information to work in shadows/highlights? thank you!
ОтветитьHey guys! You changed my mind about upgrading the sony a7iii for the moment, the footage you achieved with this camera is amazing! I just wanted to ask you about how do you measure the exposure while shooting s-log2 (+2) or HLG3 (+-0), do you see the in camera meter? the histogram? Both? Do you use zebras for highlights? And what about the metering mode? Do you set it to multi, or center? Sorry for too many questions, I just need a brief and general answer hah
ОтветитьCool. Thanks
Ответитьyou know how long it took to actually find a video that showed where to get to pictire profile on a a7iii...THANK YOU
ОтветитьNeeded this🤍
Ответитьfantastic---just what i need so glad i found your channel--thanks Steve in oz
ОтветитьWitch one wis best in low light
ОтветитьHello Melior Studio, a question, when I want to do the transformation of slog itu 709 matrix, or hlg 709, I can not get the color as you have an additional configuration such as put it in color davinci yrgb color managed color process HDR Davinci Wide Gamut Intermediate, or I leave it as factory configuration
ОтветитьHow do I Colorspace transform it in Davinci Resolve? Is ITU709 Matrix the same like ITU709? And isn't ITU709 just basically Rec709? I thought SGammut would be better than Rec709, it says so on Sony's website. Please help, I just want to create good videos!
ОтветитьWhat is the native and maximum iso for slog 2 and hlg3?
ОтветитьDoes this work for low light situations? Whenever I shoot late afternoon or at night, my footage is noisy...
Ответитьwould you recommend this also for wedding videography?
ОтветитьMuy buenos videos! porque los detalles en -7? y porque slog2 a slog3? gracias.
ОтветитьSuper clear! Thanks!
Ответитьslog3
ОтветитьOn davinci resolve what do you put for the following for ITU REC 709 Matrix & HLG3:
input color space
input gamma
output color space
output gamma
hi guys which settings in CST for hlg3 to convert in 709? thank you
ОтветитьI apply these settings but it doesn't save when i turn off my camera and turn it back on, am i doing something wrong?
Also it only applies to the dial you set them on right?
HUGE help -- thanks!
ОтветитьWhen using Slog2 with these settings do we still need to apply a Slog2 to Rec.709 conversion lut to the videos?
Ответитьcan i record slog2 and hlg3 at the same time
Ответитьhow about for awb
ОтветитьThanks,, it's a week I bought Sony a7iii with lens Sigma 35mm f1.4 DG DN.🙂
I have a question: Why do you recommend ITU.709 MATRIX and not the (S-Gamut) in S-LOG2 PP7🤔?!!!
And after completing the recording, are you color grade the video on Adobe premiere pro?
I think (S-Gamut) in SLOG2 PP7 is more cinematic.
You would help me a lot by solving this question. Long live your channel!
He visto todos tus vídeos y son verdaderamente útiles. Tengo una pregunta: Por qué recomiendas más usar el espacio de gama ITU. 709 MATRIX y no el S-Gamut.3 cine que todo el mundo recomienda? Me ayudarías mucho resolviendo esa duda. Larga vida a tu canal!
ОтветитьVery useful video, thanks
ОтветитьThis is incredibly helpful, thanks so much for making this video! Quick question, do you use certain zebra settings for Slog2 and HLG3 to expose them correctly? Or is there another exposure method you use besides zebras? Still trying to nail down the best way to expose on the A7iii. Thanks again!
ОтветитьHow do these settings stay saved ? Every time I turn off my camera they go back to older settings
ОтветитьWhat ISO do you guys shoot either profile in?
Ответитьhow do you grade hlg3 with cineprint? what do you choose in the color transform color space and log gamma?
Ответитьhow do you color grade this profiles pls
ОтветитьFor that night scenes shot in hlg3, which input gamma are you using in davinci resolve? Thanks in advance. Love your channel!
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