Everything you know about Stanley Kubrick is wrong - Cracking the Kube Ep. 1

What if I told you that that everything you know about Stanley Kubrick is wrong? A new approach to solving the mysteries of Stanley Kubrick thanks to original research and archival resources.
I'm Filippo Ulivieri and this is the first episode of a series of academic presentations about my research into Kubrick and his films.

Chapters:
0:00 - Introduction
1:26 - Kubrick and his public image
2:15 - The role of the Stanley Kubrick Archive
4:02 - New perspectives in Kubrick Studies
4:24 - Myths on Kubrick as a producer
6:07 - Myths on Kubrick as a director
7:39 - Creative process: unmade films
9:41 - Creative process: the making of 2001: A Space Odyssey
11:40 - Creative process: adaptation
12:14 - Specific myths: Dr Strangelove
13:41 - Specific myths: A Clockwork Orange & 2001
15:30 - Specific myths: Kubrick and the press
16:26 - Kubrick's role in shaping his persona
18:32 - The mythology is central in our perception of SK
19:37 - A new beginning thanks to original research
21:15 - Coda: watching Kubrick with fresh eyes

This episode is a reworking of:
Ulivieri, F., “Cracking the Kube, or: How I Learned to Stop Believing the Myths and Love the Kubrick Archive” @ The transition of Kubrick Studies to archival research, NECS, Palermo (IT), 11-13 June 2021.

Sources:
Broderick, M., “Reconstructing Strangelove,” Wallflower Press, 2017.
Fenwick, J., “K and production”, in “The Bloomsbury Companion to SK,” Bloomsbury Academic, 2021, pp. 15-24.
Fenwick, J., “SK Produces,” Rutgers University Press, 2020.
Krämer, P., “2001: A Space Odyssey,” BFI, 2010.
Krämer, P., “A Clockwork Orange,” Palgrave Macmillan, 2011.
Krämer, P., “A film specially suitable for children,” in “Family Films in Global Cinema” IB Tauris, 2015.
Krämer, P., “A new boy wonder,” Arrow Film’s The Killing, 2015, pp. 6-20;
Krämer, P., ‘‘Complete Total Final Annihilating Artistic Control” in “SK: New Perspectives,” Black Dog Publishing, 2015, pp. 48-61.
Krämer, P., “Dear Mr. K,” Participations: Journal of Audience and Reception Studies, 6 (2), 2009, pp. 1-20.
Krämer, P., “Dr. Strangelove,” BFI, 2014.
Krämer, P., “Mein Führer, I Can Walk!,” Literatur in Wissenshaft und Unterricht 46, nos 2/3, 2013, pp. 142-62.
Krämer, P., “Movies that make people sick,” Participations: Journal of Audience and Reception Studies, 8 (2), 2011, pp. 416-30.
Krämer, P., “SK and the internationalisation of post-war Hollywood,” New Review of Film and TV Studies 15, no. 2, 2017, pp. 250-269
Krämer, P., “Rape, Ultra-Violence and Beethoven,” in “Film and Ethics: What would you have done?,” Cambridge Scholars Publishing, 2013, pp. 11-28.
Krämer, P., “The Greatest Mass Murderer Since Adolf Hitler” in “Dramatising Disaster: Character, Event, Representation,” Cambridge Scholars Publishing, 2013, pp. 120-135.
Krämer, P., “The limits of autonomy,” in “American Independent Cinema: Indie, Indiewood and Beyond,” Routledge, 2013, pp. 153-164.
Krämer, P., “The ugly tide of today’s teenage violence,” in “Moral Panics, Social Fears and the Media: Historical Perspectives,” Routledge, 2013, pp. 210-29.
Krämer, P., “To prevent the present heat from dissipating,” InMedia, 3, 2013, https://journals.openedition.org/inmedia/634
Krämer, P. and Ulivieri, F., “Kubrick’s Unrealized Projects,” in “The Bloomsbury Companion to SK,” cit. pp. 327-335.
Ljujić, T., Krämer, P. and Daniels, R. (eds.), “SK: New Perspectives,” Black Dog Publishing, 2015.
McAvoy, C., “Creating The Shining,” in “SK: New Perspectives,” cit., pp. 280-307.
McAvoy, C., “K, reading and research,” in “The Bloomsbury Companion to SK,” cit., pp. 317-326.
Orgill, G. and Daniels, R., “K and the Archive,” in “The Bloomsbury Companion to SK,” cit., pp. 305-315.
Perko, M., “K and collaboration,” in “The Bloomsbury Companion to SK,” cit., pp. 45-54.
Perko, M., “Origin stories: SK’s collaborations,” Essais Hors Series #4, 2017, https://journals.openedition.org/essais/717
Ulivieri, F., “Dr. Mabuse No. 2: An investigation into SK's mythological image,” Internationales Kubrick symposium, Deutsches Filmmuseum, Frankfurt, 21-22 July 2018, https://youtu.be/JzApr1Y74WA
Ulivieri, F., “From ‘boy genius’ to ‘barking loon:’ an analysis of SK’s mythology,” Essais Hors Series #4, 2017, https://journals.openedition.org/essais/696
Ulivieri, F., “Waiting for a miracle: a survey of SK’s unrealized projects,” Cinergie #12, 2017, https://cinergie.unibo.it/article/view/7349/7072
Ulivieri, F., “Writing and rewriting K: or, how I learned to stop worrying about the Kubrickian memoirs and love Emilio D’Alessandro,” Screening the Past #42, 2017, http://www.screeningthepast.com/2017/09/writing-and-rewriting-kubrick-or-how-i-learned-to-stop-worrying-about-the-kubrickian-memoirs-and-love-emilio-dalessandro/
Ulivieri F. and Odino, S., “2001 between K and Clarke: The genesis, making and authorship of a masterpiece,” Amazon publishing, 2019.

Scenes from the SK Archive & Jan Harlan quote from “Beyond 2001: New Horizons,” LCC, https://youtu.be/pPjTF-j4fiA

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