RED KOMODO | Image, Tests & Workflow Overview

lets get them reds everybody whattttttttttttttt??????????????

Really great video!

A Red CineX tutorial would be fantastic! Thanks for the content!

It appears that the red Komodo Luts is not available for download when I click your link? Any help would be appreciated.

How does the Komodo compare to the Scarlet-W? There's so little information on these two head to head, but they seem like quite close compatitors.

1. Can you adapt canon EF (both FF and APSC) lenses to Komodo's native RF mount?
2. I have very little hope for this but still, can you adapt Sony E mount lenses to Komodo?

Great review my friend. I was really surprised by the motion cadence as well. It seems similar to the Alexa XT in that regard. Which seems to be missing on many Red cameras. Of course the XT colors and DR are another story. Did you find this the case as well? It seems to hold a decent cinematic value in motion alone. Cheers!

Great video, I am thinking of buying one and got all the basic informations I needed.
Thank you for your good work !

In premiere pro they say what u see before export is not what you see after you export as far as color goes and they say final cut is more exact . with final cut what you see is what you get after the exporting footage . what is your take on this ?

Amazing overview! The only thing I'd ask is that when doing examples of software screen recordings, you reduce the resolution so text and elements are large enough to read. Premiere Pro text elements looked tiny in the examples.

quick question, were all of those amazing looking outside shots at 800 iso???

great!

I heard that there is a monitor that can control KOMODO wirelessly. It seems to be specially made for KOMODO. Does anyone know?
Its brand seems to be called PORTKEYS, and its model seems to be BM5 WR. If you have used it, please introduce it. How does it feel to use it with KOMODO?
I want to buy one and try it recently, thank you!

ok fuck the BM6K after seeing this

The images out of the Komodo are simply red :) Great quality images - especially the flesh tones. There's a definite cinematic quality to the images and very nice looking dynamic range across all of the shots. Of course the RED RAW codec offers amazing degrees of post tweaking heaven ! The Komodo is an incredibly hyped camera which seems to deliver on all of that hype ? The images do not disappoint.

I would love a more indepth walk through of red cinex pro

Thanks for the video. It would be great if you guys created a video on the post-production process with Red cameras.

I thought the point of shooting in raw is you don't have to worry about exposure so much? But he says it's extra important on the komodo? why?

Beachy head has never looked so good

I would love to see you guys do a Komodo test against the Pocket 6K. Cheers!

I just came from the Ursa 12K video and I must say although I liked the image from the Ursa a lot I prefer the RED image. It just seems more organic somehow, I guess they have just perfected their colour science more than BM at this point.

What are some of the best cine lenses for the Komodo 6K in your opinion?

It would be great to hear just one reviewer talk about colour space and the colour bit rate of this camera. I have looked everywhere and cannot find any I formation. Do you know what it is and if this changes between Prores and RAW? Thanks

Love all your tutorial , but you tend to talk too fast and make it hard to keep up. would love it if you would slow it down a bit. Thanks for all your wonderful videos.

''More natural motion of rolling shutter may be of benefit'' - The very science behind global shutter is to give it a more natural feel, to mimic human eyesight. Hence why top of the line cinema cameras like the Alexa and Venice have had this feature almost exclusively until the Komodo of course. That was a strange comment, great review though.

how to do slow motion with the red Komodo and with what format (6K)

in my opinion, the only thing komodo is good in it is global shutter. this green tint higher ISO + less details in shadows is not so great. forget about higher framerate.

i guess the gemini was always in STD mode while comparishing, right?

please compare komodo vs a7 siii, thank you it was a really really great video

Hang on man, did I actually hear you say you thought it would be nice to have an option to change between a rolling shutter and global shutter? Tell me I got that wrong. Pleeeeeease.

Absolutely amazing review, you will explode soon on subscribers, starting with mine :). I do wish this camera was 2X anamorphic sensor friendly without cropping the data on left and right side.

The glass looks amazing. Can you please list the lens(es) you used for the test footage?

Wait it doesn't have variable frame rates???

Hey, is there a way to get the RAW files of your exposure tests ?

"More natural motion of a rolling shutter" ? Surely you misspoke.

Bro I don’t think u can just switch the sensor between rolling and global shutter on the fly

I’m no expert so I could be wrong but I’m pretty sure dynamic range comes down to the physical sensor and can’t be changed in software

Beautifully executed review with inspiring footage to match. Where did you source such a dreamy soundtrack?

Even after black shading the LQ footage is extremely noise out of my Komodo. The exposure is correct. Do you have any solution for reducing the noise?

dynamic range seems to be much lower than c70

Can you make komodo vs canon c70 detailed review.

I see videos like this and am blown-away but the Komodo image, especially when I see some garbage out of it in less capable hands. I have a RED MX, Black Magic Pocket Cinema 4K and 6K and want to get with the Black Magic 12K or the Komodo and I'm soooooo back and forth. The BM12K has every single feature I want (internal NDs, downscaling resolution, stabilization, etc.) but the image, to me, so far doesn't look quite as good as the Komodo. The BM12K looks a bit video'ish to me still whereas the Komodo feels more organic. But, maybe it's the people using it, just like the early Komodo footage that looked terrible. Is there any chance you would be doing a Black Magic 12K video as well...? I would love to see a 1:1 comparison. I'm truly torn.

Please Compare it to the zcam s6 !!!

Good image quality but not superb. I Think a C70 can do better.

Thanks super useful

I would definitely love a video going more in depth with RED Cine X. It isn't a part of my current R3D workflow basically due to lack of knowledge on the program. I would at least like to understand the program and then decide whether I should add it to my workflow. Cheers for the video!

Why are the highlights blown so badly in that first shot 😩