FINDING MOVIES  | How to get your firsts projects as a COMPOSER

FINDING MOVIES | How to get your firsts projects as a COMPOSER

Marc Jovani - Cinematic Composing

2 года назад

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@indiefilmcomposer
@indiefilmcomposer - 20.03.2023 19:18

IMDB pro is well worth it for access to contact info and vetting production companies that are looking for a composer here you can see their credits and quality of work to help gauge fit, depending on where you are with your career and work history you might be thrilled to be a crew member or want to pass , I have not created Mail lists but sometimes will reach out case by case , yes it’s a very very low return rate for a lot of reasons and that is a whole topic within itself , how the business works , good video Marc

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@aidanflynncarey7950
@aidanflynncarey7950 - 22.02.2023 07:13

Hi thx for the video! Can you use this stradegy to ghostwrite for other composers and assist them in writing their music?

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@spunicunifait2697
@spunicunifait2697 - 03.06.2022 20:01

Great advice, thanks for sharing!

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@cryptopolice6202
@cryptopolice6202 - 28.03.2022 21:21

I stayed away from other composers or following their advice in regards to finding work (since everyone does the same) and went to video-production forums and kickstarter pages (and looked if a composer was listed or not), when I started. There are honestly a lot of people looking for composers, if your standards aren't too high when you begin working on movies.
I "sticked" to those I enjoyed working with most (and those who had potential to grow) and "grew" with them in the years after.
It's also really great to start "little". Not too much pressure, you learn how to improve your workflow, how to handle certain scenarios, etc, etc. I recommend this to every starting filmcomposer.

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@jaketanner109
@jaketanner109 - 28.03.2022 16:28

Hi Mark...what did you say to the company? Did you just introduce yourself as a composer and sent them a link to your reel? or was it more of an introductory and you asked them if you can send them a reel? Thanks.

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