8½ | Soundtrack Suite (Nino Rota)

I first saw this movie in a film course at hunter College in the Bronx circa 1967...it was love at first sight ...

Музыка, под которую можно весело погрустить о том, что уже не вернуть)

La da da da ..!!!! ! 😊

Nino Rota contributed significantly to the success of Felini' films.

This is like all 60s Italian cinema rolled into one big wonderful ball.

This is the best, Fred. And so are you

i'm new to this so... but have a question... when someone refers to the 'Suite from : 8 1/2' what part of this piece does it stands for ???

Where is la dolce vita?

Such an incredible score

Hey Fred, thanks for these awesome scores you give us could you by any means do the scores of "the red shoes", "fellini satyricon" and "vertigo" I think people would love those and certainly with the great quality you give us.

Men who can relate to his dream of all the women in his life in one big party is soooo blessed.

Came back from re watch this movie on cinema, such a feeling... nothing like watch classic movies on the big screen

I looove this music!!!!! I could sit down with my eyes closed for hours to listen this soundtrack over and over again.

🖤

Guido! Guido!

Great 1960's Italian Movie and Soundtrack! I Always watch "8 and 1/2" when it is on TMC. I give this 5 stars!

Pls add indian composer ar rahmans 90s films soundtrack suite........

The actual galop of Carlotta's galop seems inspired on Khachaturian's Sabre Sance.

Danny Elfman must have been listening to Carlotta's Galop . "Don't forget to tell them Large Marge sent ya!"

If anyone wants to know where Danny Elfman found Pee-wee's soul...

The man who did the music for Romeo and Juliet (1968).

Oh come on, don't do this to me. This is so God damn wonderful I may die from the pleasure of it all.

nice

8½, starring Marcello Mastroianni, Claudia Cardinale and other popular names of Italian cinema, deals with a film director who has lost his inspiration to finish a film and tries to flee from his responsibilities, co-workers and his private life, which works rather unsuccessful. The only way for him to really get away is to fall into daydreams, where the magic of 8½ happens, as the changes between reality and dreams are fluent and the audience can’t tell at first what is an illusion and what is not.
The music was provided by long-time Fellini collaborator and friend Nino Rota, who, with the theme to 8½ (L’Illussionista) composed one of his best known pieces. The rest of the film score doesn’t reflect Fellini’s cinematic surrealism, but instead sway us in a ‘working’ world. Enjoy!