Комментарии:
I've been faching around with harmonizing standards with Maj6 dim, 4 voice chorale style plus bass line. Also motown tunes with modal voicings and afrocuban grooves. Congrats on everything Jeremy, thank you for all the great lessons
ОтветитьDarn it, this was good.
ОтветитьHaha finally I have a name for the "2121" jazz lick/pattern! "Tautology" lol
ОтветитьJazz is the future of love of pianist for classical music like me ❤
ОтветитьIs there some kind of cross pollination point slope metaphor going on or is it just a random pre-calculus flashback intersecting along the xy system?
ОтветитьThanks for making these videos! Maybe the best resource for jazz piano on YT idk.
ОтветитьAnother great video, thanks.
ОтветитьYour videos are not only amazingly educational, inspirational and inspiring…your sense of humor in them makes the entire learning experience just a whole lot of fun! Deepest thanks for these and your excellent books!
ОтветитьFach!
ОтветитьIf the theory of counterpoint were written by a dog it would have been by a shih tzu. Does that qualify? Otherwise, stick to the book by Fux.
ОтветитьI had to stop your video to comment on your remark about Gary Peacock's playing with Keith Jarrett. I could never put my finger on it but I always felt there was something special about Gary and Keith playing together. Keith was lucky to find someone like Gary who seemed to know how to play "perfectly" with him.
ОтветитьShearing!
ОтветитьWith Counterpoint, Fux around, find out.
ОтветитьFux
ОтветитьThere are lots of good counterpoint textbooks, but Job IJzerman's "Harmony, Counterpoint, Partimento" is a good place to start.
Ответитьducking great lesson, Jeremy
ОтветитьHey Jeremy, am a kind of intermediate level jazz guitar player who was a massive music theory nerd before ever playing. Just wanted to say your videos are an absolute goldmine for applying theory to improvisation, appreciate you sharing your knowledge and expertise to everyone watching :)
ОтветитьFarging bastages! Thanks Jeremy!
ОтветитьNice lesson
The best example of counterpoint in jazz to me is the Duke Ellington orchestra and Charles Mingus
Also, the Barry Harris 6/dim system is great for making counterpoint quickly and easily in jazz
Would a "round" like "Row Row, Row Your Boat" be considered counterpoint?
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