12 Etudes • Villa-Lobos • Andrzej Wilkus

Koji Kondo was here

Sans discussion la meilleure version et de loin ! enfin une version musicale et non pas les 24h du manche !! bravo!!! la première un peu lente mais musicale et bien réalisée, excellent guitariste et musicien ! de plus très bon enregistrement !!

Fifty five years of watching Classical Guitar and I have found one of the greatest guitarists of the modern era. WOW.

Excellence to both you and VL.

Peças de beleza ímpar e execução impecável! Parabéns ao violonista! 🎶🎶

I love No. 5

Superb. Powerful, but still sensitive. My favourite interpreter of the Villa-Lobos studies.

Any classical guitarist who can play these technically difficult etudes deserves a thumbs up . Etude 11 is my favourite.

Interpretation magnifique!

I love this rendition so much. I listen to it at least once every two weeks. Very deep interpretation, extra astonishing for someone far away from Brazilian music culture.

Por que que a gente (Brasil) tem um compositor tão incrível assim e quem faz vídeo sobre ele é de fora do país? Que desperdício cultural, onde a gente se perdeu?

Shouldn't the first one have each measure doubled, and like twice the speed? :o I first heard this piece in Martin Myslivecek's performance on some old vinyl, and it was a totally different, brave, harsh thing!

Heitor Villa-Lobos is a genius of classical music! 🇧🇷

Thực sự có ít Guitarist thực hiện được tốt hết 12 Etudes của V.Lobos!... Chúc mừng thành công! 👏

Wonderful....

Anyone know who made his guitar?

Amei, sensacional.

This is one of the best classical guitar performances I've ever watched.

I love the way he plays the N°5 <3

Благородное исполнение

I rarely leave a comment, but your performance made me speechless. Bravo, maestro👏

Very enjoyable. No. 1 is very nice. What kind of guitar is that? Very nice.

Amazing. There are so many great guitarists we really need to hear them play often. The guitar sounds and looks so good. Who is the luthier?

Love this. Masterfully-played. Subscribed!

There's great players and then there's masterful players.

This is a masterpiece study played by a real maestro ......

빌라 로보스의 Etude 12개는
J.S Bach의 무반주첼로 모음곡과 비견되는
masterpiece...
It's brilliant and equisite
performance

This is nice! Thank you.

ufff que buena interpretacion, felicidades

Грандіозна праця!браво!А для розумників в коментах-візьми інструмент,покажи що можеш ти!

Sir, may we know what guitar you are playing for this recital. Thank You

Great work, congratulations Mr. Wilkus

Isso, é o próprio universo das possibilidades musicais... e mais infinito ainda; é o nosso modo de ouvir, interpretar e sentir.

As always, all I can say when I watch someone play Villa Lobos is, F**kin’ A.

When your in your sixties, and you've been getting really good at something for 45 + years, this is what it looks like and sounds like....as for the music itself, it seems more like a mathematical exercise than an attempt to create beauty..... I could take it or leave it....

Amazing

Meu Deus do céu...... Pensei em comentar alguma coisa aqui, mas a cada segundo que passei ouvindo essa obra maravilhosa as poucas palavras que ainda me restavam foram se esvaindo. Obrigado Jesus me permitir ouvir.

Second etude was off pretty badly but it’s extremely difficult

W pierwszej etiudzie brak repetycji...ja,niestety wymiękłem już na nauce pierwszej...Eksta wykonanie dźwięku i technika bezbłędna. Pozdro.

TROP LENT

I agree with the comment below. Villa-Lobos' 12 Etudes were never intended to be a speed contest. Unfortunately some classical guitarists believe the faster they play a piece (at the expense of phrasing), the better they are at the guitar. Wrong!
Congratulations to Andrzej Wilkus for his brilliant rendition of Villa-Lobos' 12 Etudes! I was delighted to hear him play my personal favourites - Etudes 1, 5, 7 and 11.

ハーモニクス綺麗すぎ

woowww most musical ive ever heard these

Fantastic performance, Andrzej, plenty of finesse and virtuosity. I hope it is not too intrusive to say the whole story of the publication of the Etudes is a bit more complex than just identifying an "original manuscript". The so-called 1928 Max Eschig manuscript has been circulating at least since 1997 and can be legally obtained from the Villa-Lobos Museum. The problem is that the "original" 1928 manuscript is not exactly what the composer decided to publish. We cannot assume that, when there are discrepancies between various sources, the publisher is always wrong. For more sensible information on this subject, please refer to the (not so) new Max Eschig critical edition, revised by Frédéric Zigante, who traces the whole process in his extensive annotations. Andrzej apparently is playing from the 1928 Max Eschig manuscript, which is a legitimate source for an interpretation and full of expression marks not present in the official 1953 edition. And it doesn't carry repetitions in the first two etudes.

Thank you for posting. Overall this was a very good performance, and only due to this high quality do I feel cheated by the botched middle section in 11 - the arpeggio sounds so disjointed and inconsistent. With all the other technical challenges of the suite being well managed, this is bizarre.

Incredibly crappy camera work for Etude 4. Who cares what the f- his left hand is dong? The camera should be exclusively focused on his right had from many different angles for the entire piece.

What an inspiration!!! You may not have played a villa lobos etude before, but you cannot miss the mastery of the composer and the player here.

What a major accomplishment!

maybe one of the best interpretations of etude 7 in the net.