7 SICK Chord Substitutions

Thanks!

Am I the only one who doesn't know why it's called a mu chord?

hey adam, thanks so much for the tutorial.
i've got a little question though.
can i apply these principles for every "minor to minor" chord change or specifically only to 3-6-2-5 turnarounds?
is there some kind of mechanic behind this?
thank a lot!
manu

What an amazing video i love that you guys upload everything with notes for profesional musicians thank u❤

Enough of the metronome already!

Maaaaaaaan..exactly what i needed😂🎉

the Beauty of this is that all these movements aren’t set in stone but we just incorporate what we like to hear ourselves into our own playing

I’m a metal guitar player, trying to find the strange noises. I may never be a pro player but I enjoy this stuff like a brain snack.

Great stuff! This will be a lot of fun to practice. I'm using it on guitar. I like keyboard lessons like this, because they don't get bogged down with all the quirky guitar issues.
Update: Yes, I rewatched and took notes. Very valuable exercise.

Thank you for your work man

I would have gave up music if it wasn't for you and another bunch of great musicians and teachers on this platform; thanks a lot, this is loads of precious and fascinating informations❤

Hi! I'm curious why you're calling it a parallel minor chord. I don't think that Abm is the parallel minor chord to D7? So what is it parallel to? Thank you!

This lesson wasn’t really detailed
Tho it sounded nice but it didn’t really teach

Sounds like Santa Claus is coming~ to....

This is so beautiful and useful. As a guitar and bass player, this makes me wanna play piano again.

The metronome sounds like slapping the lock shut on a guitar case. I like it. It is very obvious where the beats are. I've never heard anyone use this sound for a metronome before.

Try to talk less unnecessary stuff.

Thank you. My mother never let me play a tritone substitution.

Not me running to the comment section to comment how you didn’t lowercase the Roman numeral minor chords before you explained why you didn’t 🥴😅

Love the videos

Adam, yet another superb lesson where you show and explain what we need to know so we can take it from there to teach and expand on it ourselves. Please keep it up!

Beautiful indeed.

Amazing voicings but next time please make sure that the metronome doesn't sound more than the piano.

Great lesson for us aspiring pianist who know that slick “chromatic movements” are dope

Nice vid. Not fond of the paralell minor especially with this voicing when soloing but I agree that the 3b diminished hits hard well in da face😂

Thank you for sharing these vids with us. 🙏

I got so much out of this, thank you so much

Real good info. You speak my language :)

TAC...TAC...TAC... Too bad this is mostly what I hear from playing. However the lesson is great.

This is great stuff

This video is absolute GOLD. The kind of useful secrets a self taught musician like myself is looking for. Thank you!

Adam you’re a such good teacher because you show everything. The Music thank you for that. We pass away but the Music stays.

thank you! lmao when you said you don't have to ask your mom

Fabulous stuff. All in one place. Thank you!

This is great. Adam you are the man

The chord you call b3 Diminished is in fact a DELAYED V/V. In your key of F, Ab diminished 7 is in fact G7 with b9 in the bass. In my guitar book "From Dreaming to Gigging" I have a section called "There is no such thing as a diminished chord." All harmony is functional (except for deliberately NON-Functional harmony or 12-Tone composition.) This is especially true of diminished chords. There is a diagram, a full explanation for ALL diminished chords and how they are functional dominants. For years I have had students who learn the patterns (which they are taught) but can't explain WHY THEY WORK or how they function (which they are not taught). So when you use b3 Dim7 as a substitute for the VI chord, D7, you give no functional explanation! In future, tell them it is not FUNCTIONING in any way as a VI, but it is definitely functioning as a G7/Ab, DELAYED V/V. I'd be happy to do a video with you explaining this. I could also explain why the Parallel Minor 'substitutes for VI work FUNCTIONALLY - above & below. Apart from that, your videos are excellent and I recommend them to my students!

Bro, you are dangerous!!!

As a seasoned bass player, I am mesmerized by your studies into chord progressions and reharmonization. Jazz is a wonderfully skilled, nutty and genius way to relax. It is only music. And then again, it is only Music!

Thanks a lot Adam!

Can someone explain me what is the chord between Gm7 and C7 in the 4th exercice ? It seems to be like a A over C# but I can’t explain where it goes from harmonically. It sounds great ! Thanks for this lesson

I'm a guitar player and I love watching these videos. Can't do everything with regards to the notes of the full voicings played in these examples, but can mimic it and get the general idea.

The Abdim7 chord. If that is supposed to be Ab, Cb /Bnatural, Dnatural & F...if so where did the E and G come from please?

that mu chord my gawdddd

This was an amazing video!!